What George Harrison Was Venting About on ‘Sue Me, Sue You Blues’
When The Beatles officially parted ways, George Harrison couldnāt have been happier. After years of seeing his songs dismissed and/or cut from Fab Four records, he could fill his own LPs with all the tunes he had stockpiled. And George promptly filled the three albums of All Things Must Pass (1970) with those songs.
Yet being on his own didnāt mean Harrison could simply relax and play music. That became apparent when he began dealing with a copyright infringement suit over his debut single, āMy Sweet Lord.ā That litigation kicked off while āMy Sweet Lordā was still on the U.S. charts.
Later that same year, Harrisonās attempt at producing a benefit album brought about more legal headaches. At that point, you could see how the songwriter-performer could write a track titled āSue Me, Sue You Bluesā for Living in the Material World (1973). But the even larger lawsuit involving The Beatles had more to do with it.
George Harrison was up to his neck in lawsuits by the early ā70s
To get hit with a copyright suit over āMy Sweet Lordā had to sting Harrison. The former Beatle had penned a very personal song with a religious message, and Harrison felt he went out on a limb by releasing it as his first single. Then the lawyers got their hands on it, and Harrison would be dealing with the issue for the following decade.
As for the Concert for Bangladesh, the trouble there stemmed partly from the many guest artists whoād appeared at the show. (Harrison struggled to get record companies to release the rights to their recordings.) Then he began dealing with questions about the concertās tax-exempt status.
As a result, some funds raised by the benefit concert took years to get to their rightful place. That wasnāt anything new for Harrison. During these same years, he got to know all about why one might āhold the block on money flowā and āmove it into joint escrow.ā
It might not sound like rock ānā roll, but Harrisonās life probably didnāt feel like it, either. And the bitter squabbles of the Beatles affair hung over everything. Lines about suits and countersuits (āBring your lawyer / Iāll bring mineā) directly referenced the court battle with Paul McCartney.
āSue Me, Sue You Bluesā had several references to Beatles legal woes
Harrison uses a light touch on āSue Me, Sue You Blues,ā as if heād thrown his hands up over the matter by the time of its ā71 writing. With that date of composition, you can track most of the songās references to the Beatlesā legal issues. āNow all thatās left is to / Find yourself a new bandā sums it up nicely.
āAround that time we had millions of suits flying here, flying there,ā McCartney told Rolling Stone in 1974. āGeorge wrote the āSue Me, Sue You Bluesā about it. Iād kicked it all off originally, having to sue the other three Beatles in the High Court. After that everybody just seemed to be suing everybody.ā
It was more than a feeling. And though McCartney acknowledged how heād fired the first shot, the other partiesā lawyers had no trouble returning fire. āBut in the end we just pay those / Lawyers their bills,ā Harrison sings on the track. Actually, in the end, The Beatles got their millions into their own private accounts ā minus the chunk Allen Klein kept for himself.