Movie Review

'Close' is Lukas Dhont's sophomore feature film depicts the unraveling of an intense friendship, which becomes overshadowed by a manipulative twist.

Steven Spielberg creates a warm and tender semi-autobiographical drama with 'The Fabelmans' that highlights the cast ensemble's brilliant ability to bring the story to life.

'EO' is Jerzy Skolimowski's first feature film in 7 years, and his return was well-worth the wait in this excellent piece of storytelling that chronicles a donkey's journey for freedom.

'Saint Omer' is a legal drama that brazenly holds a mirror up to its audience, elevated by Kayije Kagame and Guslagie Malanga's stellar performances.

Alejandro Iñárritu’s 'Bardo: False Chronicle of a Handful of Truths' is a trying cinematic journey, but it rewards those who take the trip.

'Guillermo del Toro's Pinocchio' is a stop-motion animated marvel that engages as much on the visual level as it does an emotional one.

Na Bo-ra (Kim Yoo-jung) does everything to get details of her best friend's crush in '20th Century Girl.' But a case of mistaken identity breaks everyone's heart in a story of one's first impactful young love.

Henry Selick's 'Wendell & Wild' introduces a spooky and quirky ride, but it's narratively overstuffed with a lack of focus.

DC's 'Black Adam' introduces a fun performance from Dwayne 'The Rock' Johnson along with action sequences that pushes its PG-13 rating.

Writer/director Martin McDonagh's 'The Banshees of Inisherin' is a wonderfully executed dark comedy-drama further elevated by brilliant performances across the board.

Edward Berger's 'All Quiet on the Western Front' re-adapts the 1929 anti-war novel with a tremendous lead performance by Felix Kammerer.

'Till' is a well-directed and well-acted historical drama that successfully brings Mamie Till-Mobley and Emmett Till's story to life with respect.

'Holy Spider' is Denmark's official submission for the 95th Academy Awards for Best International Feature, which is both thoroughly engaging and consistently frustrating.

A24's 'Aftersun' is a masterful exploration of memory, depression, and the sense of familial belonging that is impossible to shake.

'Hellraiser' officially got the reboot treatment and David Bruckner's vision ultimately paid off in the most grotesque and fresh way possible.

Todd Field's 'TÁR' slowly builds into its crescendo, but it's ultimately an incredibly rewarding exercise in tragedy and comedy along with a knock-out performance from Cate Blanchett.

'Amsterdam' has a star-studded cast with loads of cameos, but it fails to come together into an engaging story that actually stimulates.

Ruben Östlund's 'Triangle of Sadness' certainly isn't for the squeamish, but it's a rewardingly hilarious experience for those who can stomach it.

'Bros' offers electric chemistry between Billy Eichner and Luke Macfarlane and plenty of vulgar laughs, but it buckles under its social commentary.

Writer/director Colm Bairéad makes a statement with his feature debut 'The Quiet Girl,' which knows exactly how to hit the audience in the feels.